Saturday, 20 July 2013

Mould Volume Calculation

Have you ever had too much soap for your mould?

Or too little?



There's an easy way to find out how much oils are needed to fit the mould you're intending to use, no matter what size or shape it happens to be.

All you need is a ruler, the mould in question, a calculator, water, and a square or rectangular waterproof container.

For moulds that have a square or rectangular shape (the easy ones):

First, measure the length, width and height (or depth) of your mould in inches. The height can be whatever height you want your soap to be, it doesn't necessarily need to be to the very top of the mould.

Important: Make sure you measure the inside of the mould and not the outside!

Next, apply the following equation:

    Length x Width x Height x 0.4 = ounces of oils

Let's try it:



The length is 15 inches, the width is 3.5 inches and I've decided to have the "top" of my soap just below the lip of the mould. This makes the height 2.4 inches.

So, 15 x 3.5 x 2.4 x 0.4 = 50.4 ounces of oils

Rounding it to the nearest whole number makes it a 50-ounce mould. 

TIP: mark this value on your mould for easy reference!

 OK, but what if your mould is like this?



For irregular-shaped moulds (still the easy ones):

You could try to enlist the aid of a geometry wiz to develop all kinds of volume equations, but that's not very practical, or fun.

Instead, fill the weirdo mould with water up to the level where you want the top of your soap to be.
Then, pour the water into a square or rectangular container, such as a plastic tupperware container, or if you have a soap mould with a silicone liner, you can also use that. Just make sure it's waterproof, so
I'd stay away from cardboard boxes.

Now, we just have to measure our container as we did for the square/rectangular mould. The height in this case would be measured from the bottom of the container to the level of the water. Apply the equation and voila! You now know the capacity of your Bundt cake mould.

Right, then. Let's see what we get in practice.

 



And I didn't even spill any water! 

And now for the measurements.




As before, measure length, width and height, making sure to take the inside dimensions of the mould. All this is in inches as mentioned before. If you use other units, you won't get the weight of oils in ounces. You may then have to measure your oils in kumquats or turnip heads....

12 x 7.5 x 1.125 x 0.4 = 40.5 ounces of oils

So I'd round this down to 40 ounces of oils for a nice Bundt Soap!

Whew! That wasn't so bad, was it?



Sunday, 7 July 2013

Mantra Swirl

Great Cakes Soapworks Challenge

Mantra Swirl


How time flies. Amy Warden of Great Cakes Soapworks has devised another inspiring challenge for us. This time: the mantra swirl, but not the simple top-of-the-soap mantra swirl. This is a whole soap body swirl, inside and out.

So, the first thing is to pick out a slow moving recipe. Check. Olive oil, coconut oil and a wee bit of cocoa butter. This moves slower than a slug on Valium. Should be perfect.

Next, I pick a non-accelarating, non-seizing, non-volcano-or-other-calamity-causing scent. Check.... I think. I'm using a mix of pine leaf, rosemary, lemon and litsea essential oils. This will be my first time using the pine leaf oil, but since the others are OK, I'm taking the chance.

The next step is to choose the colours. Since my fragrance is a woodsy-lemony scent, I decided on two shades of green with a white layer in between. But since my soaps have a strong tendency to gel and get crackly with titanium dioxide, I opted for silver mica as the "white" layer. This is also the first time I'm using this mica, so it will be interesting to see how this will turn out.

I mixed the batter without too much drama, and added the colours.

With my dividers in place, I poured my batter into the mold, making sure that I got each colour in the correct slot.



I took the dividers out and attacked the soap with my hanger sporting a very fashionable yellow plastic straw.


Finally, armed with the chopstick, I mantra swirled the top, praying that I didn't wreck the inside of the soap.




After a lot of impatient waiting, fingernail biting, jittery pacing, I took it out of the mold and cut it.





Right. So what are those pesky white spots in the chrome green and the white? They're just on the inside of the soap! My first thought was stearic acid spots, but there's no palm oil in this recipe. Huh! It looks like a winter storm, with the blue sky above, the white clouds and the green prairie getting snowed on!


Smallpox? Curse of King Tut? Aliens? Well, if nothing else, the soap smells really nice and the swirls are way cool! 

This is a technique that I really like. Lots of work, but worth the effort! 

If you have patience, here's the video!

 

 

Tuesday, 2 July 2013

That Gel Thing

To gel or not to gel

I'm pretty sure that every cold process soapmaker has, at one point or another, wondered about the gel conundrum. Should I gel my soap? Should I not? What's best for the soap? For my customers? For Captain Kirk? Does it really matter anyway? Can I let the soap decide what it wants to do? And on it goes.

So, lets explore this gelling phenomenon. 

When the soap batter is mixed and poured into the mold, it's not yet soap. While it looks cozy in its wooden (or plastic, or cardboard/silicone/PVC/Kryptonite) bed, it is very busy undergoing saponification, a process that will take many hours or even days.


Soap just after it's been poured in the mold

Soap in gel phase
Soap after gel
  During this time, the chemical reaction between the oils and the lye creates heat which builds up, starting at the centre of the batter. If the soap is encouraged to hold on to this heat - more on this later - it spreads outward, and if the temperature gets high enough, the entire soap becomes darker and slightly translucent (like Vaseline). The soap is now in the gel phase. And it is hot! If you've never experienced this before, it can be a bit freaky!


When it has done "its thing" - it may take hours - the soap will cool down and its colour will lighten up. It may return to its original colour - or close to it - but often will remain darker than when it was poured into the mold. It will also retain some of its translucence instead of becoming as opaque as it was before the gel.

So, is that good? Bad? Atrocious? A reason to throw a party?

Although both gelled and ungelled soaps produce fine bars that are beautiful and luxurious, there are pros and cons to this process.

On the one hand, a gelled soap set ups a bit faster, is slightly harder and may last a bit longer than its ungelled counterpart. Also, the colour of the soap will often deepen when the soap is gelled. Depending on the type of colorant used, this can be a desirable effect.

On the other hand, if you're making milk soap, or soap that contains honey, or any type of sugar (molasses, syrups, etc), the heat of the gelling process will caramelize the sugar in the milk or honey and will give the soap a brown hue. The texture of a gelled soap is often not as smooth as that of an ungelled bar. On top of that, if the soap gets hot enough, the glycerin - a product of saponification - can sometimes separate and cause veins or a crackly effect, one that is especially visible if your batter also contains titanium dioxide.


All this being said, it comes down to preference. There's no requirement that a soap be gelled or not gelled. It's really what you like, and sometimes, what the soap likes. The only thing you don't really want is a partial gel. That's when the gel phase stops before reaching the edges and corners of the soap log, resulting in a dark "middle".  The soap is fine to use, but doesn't look all that attractive.

How do you encourage your soap to gel properly?
  • Use large loaf molds rather than individual molds. The larger the amount of soap within the mold, the more it will retain its heat.
  • Wooden molds tend to retain heat better than cardboard or some plastics.
  • Insulate your mold by putting a lid on the top. This can be a piece of wood, cardboard, or even plastic wrap. Then, cover the whole thing with towels or a blanket.
  • Some soapers use a heating pad to gently keep the soap warm. Make sure the settings are such that it won't cause the soap to overheat or burn your house down. 
  • Consider oven processing your soap. I've never done this method myself, but there are many sites and blogs which describe it well.
The temperature at which you soap may also influence whether or not your soap reaches the gel stage. If you soap at a higher temperature, then the mixture is already that much closer to gelling temperature. Of course, that is no guarantee that this alone will make gel happen, but when used with the other measures described above, that's one more step in the gel direction.

Be careful, though, if you're using milk/honey additives as these tend to make the soap mixture heat up more, so a lower soaping temperature in these cases is warranted. And, as mentioned previously, gelling is best avoided altogether here. (Mind you, there are people who gel their milk soaps and are happy with the results; again it's that preference thing.)

OK, so you DON'T want to gel your soap?
  • Use small individual molds if possible.
  • Place the soap in the refrigerator for several hours after pouring it into the mold. Some people even put it in the freezer.
  • If the refrigerator/freezer is not an option, use a fan to circulate the air over the surface of the soap. This will help to dissipate the heat and cool it down.

    If you're still not sure about this whole gelling thing, it's often worth making a batch of soap and dividing it into two parts. You can gel one part and not gel the other, and you can then easily compare the two and decide which one you like best.

    Happy gelling, or not....

    Wednesday, 26 June 2013

    Violet Soap

    No Shrinking Violet

     

    Well, that's a weird title. Let alone the name of a soap. My idea was to make a soap that was violet in colour and in scent, a sort of "in your face" violet. So, a shrinking violet, it is not, hence the name.

    My plan was to have a nice white and purple swirly soap. I got more of a cream (macaroni colour, for those who watch the video) and a mauve-ish layer/swirl combo. And of course, after gelling, the titanium dioxide did it's crackly thing. All in all, not bad looking, but not what was planned. 

    And I only have myself to blame.





     I knew that the fragrance oil caused acceleration and I should have added it to the main oils before adding the lye, instead of later. This would have given me a bit more time. Also, using oxides, I always seem to get a few specks that wont mix, so out comes the stick blender in full force, thickening up the batter with lightening speed.

    Mind you, after all this, it does smell divine! For such an "old-fashioned" scent, this is actually quite popular. Very light and fresh. If truth be told, this is one of my favourite florals.

    If you want a bit of a laugh, have a peek at the video!








    Friday, 7 June 2013

    Peacock Swirl

    Peacock Swirl? Not so much. More like:
    Attack of the crazed, alien peacock

    My first attempt at a peacock swirl - the first challenge from Amy Warden's Soap Challenge Club - was not the beautiful, delicate meanderings of colour and form that I had envisioned it would be.

    Instead, it is more of an abstract, poultry-derived mishmash of  green, white, orange and a shy violet peeking faintly around the other colours.



    Don't get me wrong, the whole soap is actually not that bad. It has a certain vague watercolour quality to it, reminiscent of some of Monet's works. But Monet painted ponds with waterlillies and pretty bridges. No peacocks, none within ten miles.

    The problems began when I elected to pour the white soap base before mixing the colours. This gave it plenty of time to set. Like cement. OK not quite as thick, but thick enough. Then, when I ran the comb through the soap to start the swirl, I dug the thing too deep and started dragging the thick base along with the colours. 
    This flash of brilliance on my part, plus the fact that the teeth of the comb were a bit too close together, caused it to get all gunked up with the white base thereby turning it into more of a paddle than anything else, and the delicate design became more of a gobble dee gook!

    So there you have it. My first attempt, but by golly, not my last! We shall soldier on! So, for now, enjoy the video.







     

    Wednesday, 5 June 2013

    French Countryside

    The Making of French Countryside

    I'm taking part in the 2013 Universal Soap Challenge, an idea developed by Lucy from Simply Radiant SC. Each month, we randomly select a country and then create a soap inspired by that country.

    For the month of May, I got France. So I decided to colour the soap based on the different crops growing all around the country. Yellow (well, it turned out more cream than yellow) for the mustard fields near Dijon, purple for the lavender fields near Grasse (home of some many reknowned perfume makers), and green for the vineyards that abound throughout the country.

    I fragranced the soap with a mixture of Petitgrain, Litsea, and Rosemary to give it a nice herbal scent with a hint of orange flower.

    Then, for fun, I added a gold mica swirl on top, reminiscent of the golden age of the Renaissance (think Versailles).

    So, here's the video of the making of French Countryside.




    Tuesday, 4 June 2013

    Welcome

    Welcome to Le Bon Savon De Tati!

    Errr, what's this Savon bit? Let me explain. I'll start by introducing myself. My name is Marie and I'm the proud aunt of two great kids (well mostly grown up now) who call me Tati. It's a cross between tante (French for aunt) and auntie. So that's where the Tati comes from.
    And I'm French Canadian, so Le Bon Savon de Tati (Tati's Fine Soap) stems from that.

    Oh, and I make soap. Of course.

    I've been in the soap making phase of my life for about a year now and am truly addicted. I'd never realized how many different kinds of soap one could make. Different fragrances, colours, shapes, there's no end to the diversity of soap. Not to mention the different processes that can be used to make soap: cold process, hot process, melt and pour, cold process oven process...... Mind boggling, but in a good way.

    For those of you who like videos, you may like my Youtube channel. See the link below or search for Tatisoap on Youtube and you should be able to find me. A word of caution: I ramble on and usually end up making some type of mess. And I seem to have acquired a couple of alter ego commentators (with a strange sense of humour) along the way. You'll see them blithering on about this and that, sometimes, making no sense at all. They don't have names yet, but one has a purple speech bubble (that's the really odd one) and the other saner one speaks in blue.  

    So, that's all for now. Just wanted to say hello and hope that you'll want to follow me in my soaping adventure.